Always True to You in my Fashion
Publication Date
Fall 2015
Journal
Law & Literature
Abstract
Gary Watt proposes a diverse and novel theory of how dress relates to law. He argues not that dress is speech. Rather, dress is law and, more surprisingly, law is dress. Consequently, “when we better understand the nature of dress, we will better understand the nature of law.”
Dress, Law, and the Naked Truth is thoroughly enjoyable yet frustrating. Watt's erudite and thought-provoking discussions of a variety of what he calls “[e]ncounters between dress and the law” leads us through etymology, myth and Shakespeare. He presents a history of legal dress worn by persons who represent the law – including the mandatory uniforms of the police and military, the formal robes and wigs of judges, and customary professional attire of practicing attorneys. Finally, he discourses on specific modern laws regulating both too much and too little covering of the human body – namely legal prohibitions against the Islamic veil and public nudity. In the end, however, rather than demonstrating the identity of law and dress, these examples do the opposite. He accurately calls them “encounters”, places where law and dress, being distinct, occasionally meet.
Nevertheless, Watt is correct that there is more than a mere surface resemblance between the two. From the perspective of Hegelian jurisprudence and Lacanian psychoanalysis, they are both located in the intersubjective order known as the symbolic. They serve a parallel function in the formation of subjectivity. As such, dress is not trivial, but is an essential part of what it means to be human.
Volume
27
Issue
3
First Page
441
Last Page
456
Publisher
Taylor & Francis
DOI
10.1080/1535685X.2015.1024925
Disciplines
Law | Law and Gender | Law and Society
Recommended Citation
Jeanne L. Schroeder,
Always True to You in my Fashion,
27
Law & Literature
441
(2015).
10.1080/1535685X.2015.1024925

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