Cardozo Arts & Entertainment Law Journal

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Table of Contents - Cardozo Arts & Entertainment Law Journal, Vol. 10, Iss. 2

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Preface

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On the Author Effect: Recovering Collectivity
Martha Woodmansee

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On the Author Effect: Contemporary Copyright and Collective Creativity
Peter Jaszi

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Touching Words: Helen Keller, Plagiarism, Authorship
Jim Swan

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Author/izing the Celebrity: Publicity Rights, Postmodern Politics, and Unauthorized Genders
Rosemary J. Coombe

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The Pragmatics of Genre: Moral Theory and Lyric Authorship in Hegel and Wordsworth
Thomas Pfau

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The Interdisciplinary Future of Copyright Theory
Alfred C. Yen

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Milton's Contract
Peter Lindenbaum

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From Rights in Copies to Copyright: The Recognition of Authors' Rights in English Law and Practice in the Sixteenth and Seventeenth Centuries
John Feather

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The Author in Court: Pope v. Curll (1741)
Mark Rose

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Authority and Authenticity: Scribbling Authors and the Genius of Print in Eighteenth-Century England
Marlon B. Ross

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Charles Dickens, International Copyright, and the Discretionary Silence of Martin Chuzzlewit
Gerhard Joseph

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International Copyright: Structuring "the Condition of Modernity" in British Publishing
N.N. Feltes

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Sanctioning Voice: Quotation Marks, the Abolition of Torture, and the Fifth Amendment
Margreta de Grazia

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Broadcast Copyright and the Bureaucratization of Property
Thomas Streeter

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Authorship and the Concept of National Cinema in Spain
Marvin D'Lugo

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"Don't Have to DJ No More": Sampling and the "Autonomous" Creator
David Sanjek

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Beaumont and/or Fletcher: Collaboration and the Interpretation of Renaissance Drama
Jeffrey A. Masten

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Common Properties of Pleasure: Texts in Nineteenth Century Women's Clubs
Ann Ruggles Gere

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Reading and Writing the Renaissance Commonplace Book: A Question of Authorship?
Max W. Thomas

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Collaborative Authorship and the Teaching of Writing
Andrea A. Lunsford and Lisa Ede

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The Author in Copyright: Notes for the Literary Critic
Monroe E. Price and Malla Pollack